“A masterpiece, a major work of modern art history.” —Wall Street Journal
“Absorbing and lavishly illustrated.” —New Yorker
“If you are interested in modern British art, the book is unputdownable. If you are not, read it. You soon will be.” —Financial Times
Now available in an attractive paperback, Modernists and Mavericks is Martin Gayford’s impressively researched and well-reviewed chronicle of postwar London painting.
Modernists and Mavericks explores the development of painting in London from the Second World War to the 1970s based on an exceptionally deep well of firsthand interviews, with artists such as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Alberto Giacometti, and the traditions of Western art, from Piero della Francesca to Pablo Picasso and Henri Matisse, the postwar painters were bound together by their confidence that this ancient medium could do fresh and marvelous things, and their urge to explore, in their diverse ways, the possibilities of paint.
Contributors
Martin Gayford
Author
Martin Gayford is a writer and art critic. His books include Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud; Modernists and Mavericks: Bacon, Freud, Hockney and the London Painters; A History of Pictures: From the Cave to the Computer Screen and Spring Cannot Be Cancelled: David Hockney in Normandy, both with David Hockney; Shaping the World: Sculpture from Prehistory to Now, with Antony Gormley; Love Lucian: The Letters of Lucian Freud, 1939-1954, with David Dawson; and Venice: City of Pictures.
