Bio
James Hall is an art critic and historian, currently Research Professor at the University of Southampton. Noted for his versatility and originality, his books include The World as Sculpture; Michelangelo and the Reinvention of the Human Body; The Sinister Side: How Left-Right Symbolism Shaped Western Art; and The Self-Portrait: A Cultural History, which has been translated into five languages. An abridged version, James Hall on The Self-Portrait, marks Thames & Hudson’s seventy-fifth anniversary as one of six “timeless” texts. The Artist’s Studio: A Cultural History was a Times “Book of the Year.” Hall’s essays have appeared in the Burlington Magazine, Oxford Art Journal, and Simiolus. He is a regular contributor to The Art Newspaper and Times Literary Supplement.
