In 1972, while living in London, Gruyaert created the striking series TV Shots by turning the dial on a television set at random and photographing the distorted images he saw there. A later series, Made in Belgium, portrays his ambivalent relationship with his homeland in a palette of saturated tones. In his most recent work, he embraces the possibilities of digital photography, taking further creative risks to capture light in new ways.
Gruyaert’s images are autonomous, often independent of any context or thematic logic. This volume, the first retrospective of his work, is a superb overview of his personal quest for freedom of expression and the liberation of the senses.
While the colors might pull you in, what is happening within the frame of Gruyaert's photographs stand alone primarily because his intent is to create a narrative within a single image.
— Slate—Behold Photo Blog
Graphic, charged, documentary-style color photographs…Spans Mr. Gruyaert's evolution as an artist.
— Lens: The New York Times Photography Blog
François Hébel is the curator of the Harry Gruyaert show at the Maison Européene de la photographie in April 2015. He has been producer, curator, and author of numerous exhibitions and books.